Augie March is a poor Chicago boy growing up during the Great Depression. A ‘born recruit’, he latches on to a wild succession of occupations, then proudly rejects each one as too limiting. Not until he tangles with the glamorous Thea, a huntress with a trained eagle, is his independence seriously threatened. He goes on to recruit himself to even more outlandish projects, but always ducks out in time to continue improvising his unconventional career. Augie March is the star performer ina richly observed human variety show, a modern-day Columbus in search of reality and fulfilment.
Indefatigable orphan Freckles faces some fairly steep obstacles: in addition to having no family, no name, and no knowledge of his own history, the young man has also lived his whole life without a right hand. Will his scrappy attitude and can-do spirit allow him to overcome these challenges and find love, material success and happiness?
The author writes: FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I’m doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, I suppose that sooner or later I’ll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I’m very hopeful. I love working on these Glass stories, I’ve been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill.
“Growing up in the sheltered society of 1920s England, Gudrun and Ursula know little about the ways of love. So when they pursue thrilling, torrid affairs with a notorious playboy and a brooding philanderer, what they discover about their lovers, and themselves, may be more all consuming – and dangerously volatile – than they ever dared imagine”– Container.
Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time. Alone and desperate, Miranda must struggle to overcome her own prejudices and contempt if she is understand her captor, and so gain her freedom.
The American classic about a young girl’s coming-of-age at the turn of the century.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
CLASSIC SHORT STORIES FROM THE MASTER OF AMERICAN FICTION
First published in 1927, Men Without Women represents some of Hemingway’s most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In “Banal Story,” Hemingway offers a lasting tribute to the famed matador Maera. “In Another Country” tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. “The Killers” is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in “Ten Indians,” in which he is presumably betrayed by his Indian girlfriend, Prudence. And “Hills Like White Elephants” is a young couple’s subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America’s finest short story writer.
The first English language translation of Bédier’s classic work in nearly seventy years, this volume is the only edition that provides ancillary materials to help the reader understand the history of the legend and Bédier’s method in creating his classic retelling.
This groundbreaking collection of 33 short stories of the American South spans nearly two centuries, with stories from such luminaries as Robert Penn Warren, Carson McCullers, Eudora Welty, William Faulkner, Truman Capote, and Alice Walker. Revised reissue.