SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE
LONGLISTED FOR THE GUARDIAN FIRST BOOK AWARD
NOMINATED FOR THE FOLIO PRIZE
NAMED A NOTABLE BOOK OF THE YEAR BY THE NEW YORK TIMES
A stunning, heartbreaking debut – ‘We Are Not Ourselves’ is both the intimate story of a family and an epic of the American Century.
The product of a stormy upbringing in an Irish Catholic enclave of New York City, Eileen craves stability. Coming of age in the early Sixties, she meets and marries a young scientist named Edmund Leary.
But while Eileen wants more for her family, Ed won’t give up teaching for a better-paid job. Inadvertently Eileen starts to climb her own career ladder in nursing. She pushes Ed into finding a new home, but it becomes clear that his resistance is part of a deeply troubling psychological shift.
In this masterful debut, Matthew Thomas paints a sprawling, profoundly sympathetic portrait of a family coping with slow-burning tragedy. ‘We Are Not Ourselves’ is a grand testament to our deepest hopes and most human frailties.
A box of possessions.
A father with no memory.
A daughter with just one day to piece together the past.
When Sabrina Boggs stumbles upon a mysterious collection of her father’s belongings, her seemingly uneventful life suddenly alters and shifts.
In the single day she has to search for answers about the man she thought she knew, a man who can no longer remember his own story, Sabrina uncovers far bigger secrets than she could have imagined. And discovers that sometimes it’s the people closest to us that we know the least.
This is the tale of Jude, a Tipperary-reared orphan, who on his 18th birthday, sets off to discover the wide world and his true parentage.
Although the emergence of the English novel is generally regarded as an eighteenth-century phenomenon, this is the first book to be published professing to cover the ‘eighteenth-century English novel’ in its entirety. This Handbook surveys the development of the English novel during the ‘long’ eighteenth century-in other words, from the later seventeenth century right through to the first three decades of the nineteenth century when, with the publication of the novels of Jane Austen and Walter Scott, ‘the novel’ finally gained critical acceptance and assumed the position of cultural hegemony it enjoyed for over a century. By situating the novels of the period which are still read today against the background of the hundreds published between 1660 and 1830, this Handbook not only covers those ‘masters and mistresses’ of early prose fiction-such as Defoe, Richardson, Fielding, Sterne, Burney, Scott and Austen-who are still acknowledged to be seminal figures in the emergence and development of the English novel, but also the significant number of recently-rediscovered novelists who were popular in their own day. At the same time, its comprehensive coverage of cultural contexts not considered by any existing study, but which are central to the emergence of the novel, such as the book trade and the mechanics of book production, copyright and censorship, the growth of the reading public, the economics of culture both in London and in the provinces, and the re-printing of popular fiction after 1774, offers unique insight into the making of the English novel.
Fat Charlie Nancy is not actually fat. He was fat once but he is definitely not fat now. No, right now Fat Charlie Nancy is angry, confused and more than a little scared – right now his life is spinning out of control, and it is all his dad’s fault.
If his rotter of an estranged father hadn’t dropped dead at a karaoke night, Charlie would still be blissfully unaware that his dad was Anansi the spider god. He would have no idea that he has a brother called Spider, who is also a god. And there would be no chance that said brother would be trying to take over his life, flat and fiancée, or, to make matters worse, be doing a much better job of it than him. Desperate to reclaim his life, Charlie enlists the help of four more-than-slightly eccentric old ladies and their unique brand of voodoo – and between them they unleash a bitter and twisted force to get rid of Spider. But as darkness descends and badness begins is Fat Charlie Nancy going to get his life back in one piece or is he about to enter a whole netherworld of pain?
WINNER OF THE GOLDSMITHS PRIZE SHORTLISTED FOR THE IRISH BOOK AWARDS 2015 He will spend three days alone on his island. That is all that he asks . . . John is so many miles from love now and home. This is the story of his strangest trip. John owns a tiny island off the west coast of Ireland. Maybe it is there that he can at last outrun the shadows of his past. The tale of a wild journey into the world and a wild journey within, Beatlebone is a mystery box of a novel. It’s a portrait of an artist at a time of creative strife. It is most of all a sad and beautiful comedy from one of the most gifted stylists now at work.