The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas.
In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits.
The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.
The Art of Writing Fiction guides the reader through the processes of creative writing from journal-keeping to editing, offering techniques for stimulating creativity and making language vivid. Readers will master key aspects of fiction such as structure, character, voice and setting.
Andrew Cowan provides an insightful introduction that brings his own well-crafted prose style to bear on the processes and pleasures of writing fiction, offering practical and personal advice culled from his own experience and that of other published writers. He lays open to the reader his own notes, his writing, and the experiences from his own life that he has drawn on in his fiction allowing the reader to develop their own writing project alongside the author as they go through the book.
‘ORIGINAL AND ENTHRALLING’ Guardian
‘COMPLETELY ENCHANTING’ Penny Vincenzi
Elizabeth Pringle lived all her long life on the Scottish island of Arran. But did anyone really know her? In her will she leaves her beloved house, Holmlea, to a stranger – a young mother she’d seen pushing a pram down the road over thirty years ago. It now falls to Martha, once the baby in that pram, to answer the question: why?
A captivating story of the richness behind so-called ordinary lives and the secrets and threads that hold women together.
The Oxford History of the Irish Book is a major new series that charts one of the most venerable book cultures in Europe, from the earliest manuscript compilations to the flourishing book industries of the late twentieth century. For the first time, it offers a history of the Irish book as a created object situated in a world of communications, trade, transport, power, and money, and examines the ways in which books have both reflected and influenced social, political, and intellectual formations in Ireland. It is an important project for the understanding of Ireland’s written and printed heritage, and is by its nature of profound cross-cultural significance, embracing as it does all the written and printed traditions and heritages of Ireland and placing them in the global context of a worldwide interest in book histories. Books have played a role of key importance in shaping Ireland’s twentieth century cultural and political heritage. Volume V: The Irish Book in English 1891-2000 charts that heritage from the beginnings of the Literary Revival in the 1890s to the end of the twentieth century. Part One consists of general survey chapters which examine developments in the cultures of Irish reading and publishing during the twentieth century. These chapters cover four specific periods, divided as follows: 1891-1921 covering the Literary Revival, and the often turbulent developments which led to the partition of the island; 1922-1939 looking at the social, economic and political machinations of print culture amidst an atmosphere of intense cultural conservatism, and during the so called economic ‘war’; 1939-1969 examining the difficulties which Irish publishers continued to face, as well as the popular trends of reading ‘Westerns’; 1969-2000 looking at the renewal of the Irish publishing industry, and the growth of cultural self-confidence which came about as literary censorship receded into the past. Part Two examines some of the thematic issues raised in these survey chapters, including the financial and market factors governing the Irish book trade; the concerns of Irish regional publishing; the creation and reception of Irish books in the US and Australia; censorship; the Irish book in the informatics age; and publishing for Catholic Ireland. Part Three is concerned with assessing the specific achievements of some of Ireland’s most culturally significant publishing houses, and includes chapters on Gill and Macmillan; the Cuala Press; Maunsel and Company; the Dolmen Press; the Gallery Press and Blackstaff Press. This section also includes chapters on two British firms which have done much to support Irish writers: Macmillan and Faber. The book concludes with a bibliographical chapter outlining ‘Sources for Irish Book History, 1891-2000’. This is the first attempt to comprehensively outline the history of twentieth century Irish book culture, and will be the standard guide for many years to come.
Delving into the disturbed mind of a serial sex-offender, Martin John is a brilliant follow-up to Anakana Schofield’s celebrated Malarky.
From Liane Moriarty, author of #1 New York Times bestsellers The Husband’s Secret and Big Little Lies, comes an unforgettable novel defined by her signature sharp wit, page-turning storyline, and lovable and eccentric characters.
Sophie Honeywell always wondered if Thomas Gordon was the one who got away. He was the perfect boyfriend, but on the day he was going to propose, she broke his heart. A year later he married his travel agent, while Sophie has been mortifyingly single ever since. Now Thomas is back in her life because Sophie has unexpectedly inherited his aunt Connie’s house on Scribbly Gum Island—home of the famously unsolved Munro Baby mystery.
Sophie moves onto the island and begins a new life as part of an unconventional family, where it seems everyone has a secret. Grace, a beautiful young mother, is feverishly planning a shocking escape from her perfect life. Margie, a frumpy housewife, has made a pact with a stranger, while dreamy Aunt Rose wonders if maybe it’s about time she started making her own decisions.
As Sophie’s life becomes increasingly complicated, she discovers that sometimes you have to stop waiting around—and come up with your own fairy-tale ending.