Improve your reading—Improve your life. Are you bored by best sellers you can’t remember a week later? Is your book group ready for more meaningful discussions? Have TV and movies got your brain on autopilot? Back to the Best Books explores 36 great works of literature, some that you know (Twain, Bronte) and some you might not (Undset, Cronin) that will bring you new insights about your own life. Inside you’ll find: • Jane Austen—Looking for love in all the wrong places • Betty Smith—Recession lessons from the depression • William Faulkner—Road trips and self-discovery • Anne Tyler—Putting the fun into dysfunctional • Charles Dickens—Changing the world one child at a time The perfect guide for book groups, students, and casual readers who are ready to take it up a notch! If you’re feeling the need to get your brain in gear, your relationships in order and your life on track, then it’s time to get Back to the Best Books.
His latest book vibrates with the strange political and literary energies of ancien régime France. The Forbidden Best-Sellers of Pre-Revolutionary France traces the merging of philosophical, sexual, and anti-monarchical interests into the pulp fiction of the 1780s, banned books that make fascinating reading more than two centuries later.
French literature of the eighteenth century means to us today Rousseau and Voltaire and the “classic” texts that, we imagine, gave rise to the Revolution. Yet very few of the standard works of the Enlightenment were as widely read as books whose names we have never heard, books that were the currency of a huge literary underground during the reign of Louis XVI. Included in this volume are Darnton’s translations of excerpts from three of these works.
After twenty-five years of research, Darnton has summarized his findings in one brilliant work that examines the reciprocal relationship between private literature and the public world, the (illegal) spread of Enlightenment thought, and the interesting possibility that the writings of some not-so-famous authors contributed to the fall of the French aristocracy.
“Entries range from shorter, factual articles to longer essays, which offer an in-depth treatment of major figures, themes and movements and of national literatures. An introduction and chronology supply a main narrative and context, while systematic cross-referencing and indexing help to guide the reader through the information. The suggestions for further reading, which follow most entries and include English, Spanish and Portuguese works, are invaluable guides to further study and are complemented by a general bibliography which points to many other specialized works in the field.” “The Encyclopedia will be an invaluable reference resource for students and readers of Latin American or Caribbean literature. It will also be of great interest to those following Spanish or Portuguese language courses.”–BOOK JACKET.
The Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900–2003 draws together entries on all aspects of literature including authors, critics, major works, magazines, genres, schools and movements in these regions from the beginning of the twentieth century to the present day. With more than 200 entries written by a team of international contributors, this Encyclopedia successfully covers the popular to the esoteric.
The Encyclopedia is an invaluable reference resource for those studying Latin American and/or Caribbean literature as well as being of huge interest to those folowing Spanish or Portuguese language courses.
The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie Einhaus challenges deeply embedded cultural conceptions about the literature of the First World War using a corpus of several hundred short stories that, until now, have not undergone any systematic critical analysis. From early wartime stories to late twentieth-century narratives – and spanning a wide spectrum of literary styles and movements – Einhaus’s work reveals a range of responses to the war through fiction, from pacifism to militarism. Going beyond the household names of Owen, Sassoon, and Graves, Einhaus offers scholars and students unprecedented access to new frontiers in twentieth-century literary studies.